Serial Fiction: the New Wave of Publishing.

By Letitia Coyne

Posted September 13, 2012

1,206 words

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Serial Fiction: the New Wave of Publishing.

Guess what: serialization is the next big thing in publishing. Amazon says so. They are marketing their new kindle with serial novels a plenty. It’s new! It’s brilliant! It has a proven track record harking back to Dickens, but authors and readers had completely forgotten this form of writing until Amazon came along!

Not.

I got a bit frustrated when I read the articles that blossomed around this idea of serialization making a comeback. You see, serialized fiction is not a forgotten art. Thousands of authors have been writing episodic stories, and millions of readers have been reading them. The only people who forgot they existed were the big publishers and the authors who continued to cast votive offerings before them, who spat on any form of writing that did not conform to the publishers’ guidelines.

Those same authors now hear that a publishing house is buying serials for kindle packages. Hoorah. Serials are the new black!

Yes, I’m sarcastic and venting a bit here. It beggars belief that so many people can wear such tightly focused blinkers that they do not look at the world they have chosen to colonize. And I risk offending you, dear reader, who might well be a reader or writer who had never heard of the world of serialized fiction. Sorry.

Serial fiction has been continuously written and read online since the advent of the PC. It began as soon as authors found there was an audience out there for what they wrote in blogs and zines. It began, as might be expected, as predominantly speculative fiction, but over the decades it has grown to encompass all genres. It began as free content. As digital publishing has exploded and DIY ebooks have become widely accepted, many web fiction authors have experimented with ways to sell their work, too.

Some provide a ‘tip jar’, an easy way for readers who enjoy the story to make a donation. Some authors offer a subscription, and readers can affect storylines and character development, or receive special, premium content extra to that which is provided free. Recently, some authors who have developed a wide following and who have made considerable gains in offering paid-for content have found remarkable success with kickstarter  projects.

Where a particular serialized story has been plotted to arrive at a conclusion, other authors have chosen to remove their storyline from free view, edited and rewritten the text where needed, and released the once episodic piece as an ebook. Because this writing has been going on for many years, there are much loved serials which, when published in book form, can become eight or ten hefty volumes.

My introduction to web fiction came through the Web Fiction Guide.

As a community, the WFG has changed a little in the last few years. There is less emphasis on review and shared experience than there once was, but it remains one of the finest and easiest to navigate directories of serial fiction on the web. Most, if not all of the stories listed are available to read for free.

There is a vast list of titles. From there, readers can find ratings and reviews for most of the serials listed. Most individual serials with a regular readership have their own forums for discussion of the plots, characters, and themes, but for more general group discussion of trends in fiction, recommendations and support, the WFG provides its own active forum.

Also associated with the WFG is Top Web Fiction, a list of series which are voted on by readers to provide a constantly updated view of what is hot on any day.

The WFG is not alone. There are a number of directories which specialize in serialized fiction. One of the first to be developed was the EpiGuide. Home to a number of long running soaps and serials, the Epi also has a popular forum with an active and supportive community for both readers and writers of web serials, and perhaps most importantly, is the hub for the annual WeSeWriMo – web fiction’s answer to Novel Writing Month.

Muse’s Success is a web fiction wiki, where reader participation is encouraged in the sharing of reviews, thoughts and ideas, links and information. Anything web fiction.

Protagonize is a community for collaborative web fiction. Authors can extend a branch on any story, taking the original idea off on a tangent, or refreshing an idea that had lost momentum. The membership is huge and reader participation very active. Primary schools worldwide have used Protagonize as a base to encourage literacy in young people, allowing them to see their own work published online.

A group of authors, all veterans of the serial novel, contribute regularly to Digital Novelists. Most of the names here have made the successful transition from free content to the marketplace. Again, this is no new phenomenon. At weblit.us they were experimenting with direct to kindle subscription more than a year ago.

For young readers and writers, there is Fiction Press. Not to all tastes, I’ll admit, but popular and active, with stories across all genres, forums and RPGs.

Spreading both serialized and complete novels, Wattpad is an enormous library of fiction with a readership to match.

There are fan-fic sites too numerous to mention. There are graphic novels and web comics, published on a regular schedule, that have drawn in audiences as long as the screen has been lighting up. And authors of each type of web serial have found ways to bring their work direct to readers on their pc, or their laptop, or their phones or their tablets. This is not a new phenomenon.

And, of course, as a publisher dedicated to bringing the finest in web fiction to a wider audience, 1889 Labs has been publishing serialized stories as novels since 2006. This is not new.

What is new, and what are constantly changing, are the models for connecting readers and authors. That is always an exciting place to be, as technology moves and great minds move with it. At 1889 Labs we are working on the best ways to connect our readers with great fiction.

What does an author need, today, to capture your attention? What is the most convenient way for you to view the digital fiction you love?

What really will be the new wave of publishing?

About Letitia Coyne

Letitia Coyne is alive and well and living in Australia. She writes, paints, draws, sews, plays with old wooden furniture, revives jewellery and sings very loudly. When not doing any of the above, she watches endless movies, feeds multitudes of pets, wildlife freeloaders, and stray adolescents. Or sleeps.
  • http://amharte.com a.m.harte

    When I read a post like this of yours, I really wonder why you don’t have my job. :-P
    I got excited about the Amazon Serials, though, even if I knew that serials had been around forever. Having Amazon support serial models might increase its popularity, bringing in a bigger audience / more market awareness etc.
    Then I looked at Amazon’s guidelines. They want multi-episode serials of 10,000 WORDS per episode. So basically, mini-novellas. It’s a far cry from the chapter by chapter content you get online.

    • http://letitiacoynefiction.blogspot.com/ Letitia Coyne

      That link to weblit.us is a conversation from MeiLin Miranda. I assume she worked on episode length kindle downloads, but I’ve never seen any follow-up that discusses how she went.

      I
      think even using serial novels in place of single episodes, the payoff
      for reading a serial is the same, and the same, too, as watching the
      popular soaps and serials on telly. Authors of webserials might well
      find that readers want an aggregation of posts, novella size, for their
      money. It makes sense to pay $1.99 for 10 000wrds, rather than that same
      small amount more often and for less.

      Lxx

      • Piers Hollott

        Yeah, this has bothered me in the back of my brain for a while now… if the ideal word count for consumption in a single sitting on a bus or whatever is a 1000-1500 word chapter, is the next step an act (or episode) comprising roughly 5-7 chapters, and then an arc comprising 3 or more acts? That’s pretty standard for a kids chapter book, padding out to around 30,000 words, adjusted up or down for age.

        I think for a serial for adult readers, the chapter and act size wouldn’t change much, you just keep increasing the arc count. In any case, 10,000 words is too much for a single episode. 7,500 would be way more natural.

        • http://letitiacoynefiction.blogspot.com/ Letitia Coyne

          http://forums.webfictionguide.com/topic/the-future-of-your-serial#post-5265
          http://forums.webfictionguide.com/topic/orphans-of-the-celestial-sea#post-8308

          This discussion on ideal length seems to have been going on
          for ever. Different authors and different kinds of story seem to find different
          levels that work. In that first WFG link, Stephen C Rose was publishing, what,
          10-20000 words per chapter direct to kindle two years ago. Again, I don’t know
          what he found worked in the long run. I have seen no follow-up.

          When a webserial episode is read on the computer screen
          during a lunch break, it probably fits a slightly different model than a book
          chapter read on the kindle during a commute. The closest I can come to anything
          definitive is to say there is no definitive answer.

          Amazon has left the length open in their guidelines, too.

          • Piers Hollott

            I suppose Dickens was working within length guidelines…

  • http://twitter.com/ClaudiaC ClaudiaC

    Great article! :) Thanks for the reminder about Web Fiction Guide. I’ve been writing about serial fiction and I always forget them!

    I don’t think it’s a new wave of publishing. It’s an old way of publishing that Amazon is now using to market and get attention for their mysteries. They aren’t publishing serial fiction, they are serializing a few books. Dickens never did that.

    What torques me is the complete overlooking of (in my country) Amstead Maupin, Candace Bushnell, and Redbooks Diary of V. It’s crazy to harken back to Dickens, who wrote serial fiction and didn’t serialize, when these folks are in your own country.

    Anyway, thanks for the round up. I’m putting together a panel of serial fiction publishers Tuesday, Oct 2 at 1:30 ET (US) on Google Plus. Love to see you there asking great questions like this!

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